WOMEN’S CONFINEMENT AND STRUGGLE AGAINST THE PATRIARCHAL FAMILY STRUCTURE: A FEMINIST ANALYSIS OF SELECTED WOMEN’S WRITING IN THE LIGHT OF KATE MILLETT’S CONCEPT OF SEXUAL POLITICS


Öğr. Gör. PINAR ASLAN

Tez Türü: Yüksek Lisans

Tezin Yürütüldüğü Kurum: Yeditepe Üniversitesi, Sosyal Bilimler Enstitüsü, İngiliz Dili ve Edebiyatı, Türkiye

Tez Danışmanı: Nina Cemiloğlu

Tezin Onay Tarihi: 2023

Tezin Dili: İngilizce

Desteklendiği Program: Diğer

Özet:

ABSTRACT

The aim of this thesis is to analyze the main female characters in two short stories and a novel written in three different periods, using the conceptual analysis framework that Kate Millett puts forward in her 1970 work Sexual Politics. In her book Sexual Politics, Millett formulated two important concepts as “sexual politics” and “sexual revolution” and focused on how the family institution and genders were handled in literary works. The most important contribution of her work and the reason why it is one of the founding texts of the second wave feminist movement is that she sees the abolition of the traditional family structure as the basic prerequisite for a real sexual revolution. Millett saw the patriarchal social structure as the biggest obstacle to the emancipation of women. In this direction, the present work discusses stories of women who belong to the middle class and try to fulfill their roles as wives and mothers congruously in the traditional family lives of their historical periods, but lose their harmonious existence as soon as they feel that they are confined to this family structure. Studies to be considered are Charlotte Perkins Gilman's short story "The Yellow Wallpaper" (1892), Doris Lessing's story "To Room Nineteen" (1963), and Margaret Atwood's novel "The Blind Assassin" (2000). Although each of the protagonists expresses this discordance process with different verbs such as going crazy, committing suicide and writing, what they have in common is that they have experiences that alienate, subordinate and trivialize them in the patriarchal family life. The fact that they can be replaced in this structure, that they are defined as hysterical, crazy, depressed people when they do not fulfill their role in the reproduction of this family life, and that they are oppressed, highlights Millett's analysis, and the fact that the novels and their characters live in different historical periods, makes it possible to follow differences and similarities between them through different waves of the feminist movement.

 

Keywords: Feminist Literature, Feminist Critics, Kate Millett, Sexual Politics, Image of Mad Woman