The Projection and Loss of Masculinity in S. T. Coleridge’s “The Rime of the Ancient Mariner” and D. H. Lawrence’s “Snake”: A Psychoanalytic Reading


Akı E. T.

4th International Conference on the Philosophy of Language, Literature, and Linguistics, Manisa, Türkiye, 9 - 11 Mayıs 2024

  • Yayın Türü: Bildiri / Özet Bildiri
  • Basıldığı Şehir: Manisa
  • Basıldığı Ülke: Türkiye
  • İstanbul Gelişim Üniversitesi Adresli: Evet

Özet

The Projection and Loss of Masculinity in S. T. Coleridge’s “The Rime of the Ancient Mariner” and D. H. Lawrence’s “Snake”: A Psychoanalytic Reading

 

Ercan Tugay Akı[1]

 

Abstract

 

This paper puts S. T. Coleridge’s “The Rime of the Ancient Mariner” and D. H. Lawrence’s “Snake” under scrutiny from a psychoanalytic perspective and argue that the poetic personas and the male heroes in Coleridge’s “The Rime of the Ancient Mariner” and Lawrence’s “Snake” succumb to sadomasochistic fantasy in the face of a threat posed by the maternal figures to their phallocentric authority. In the process of examining the two major imageries that the poems share—namely the albatross and the snake—in detail, the paper borrows such psychoanalytic key concepts as sadomasochistic fantasy, phallus, phallocentrism, fantasised virility, and phantasm of woman from Irigaray and Cixous. The paper, to be more specific, seeks to prove that although these two works of literature are attempted to be appropriated within the phallocentric tradition by the narrators, their attempts give way to the subjugation of maleness and masculine authority at the hands of the all-pervasive and dominating feminine imageries, metaphors, figures, and forces, which cannot be located within the phallocentric logic of the signifiers.

 

Keywords: the albatross, the snake, phallocentrism, sadomasochistic fantasy, loss of masculinity



[1] Research Assistant, İstanbul Gelişim University, Department of English Language and Literature, İstanbul/Turkey, etaki@gelisim.edu.tr