Akademik Veri Yönetim Sistemi
International Journal of Gastronomy and Food Science, cilt.30, 2022 (SCI-Expanded)
© 2022The Renaissance period, as an enlightenment period after the strict Christian rules of the Middle Ages, represents a period in which many discoveries have been made for about four centuries and which continues its effects in terms of art as well as political, cultural, and scientific developments. Thanks to the Renaissance, the times when artists could only express themselves through church rules were left behind, and sections from routine life began to appear in the paintings. When it comes to daily life, nutrition is the most essential need of human beings, and since then, foods have begun to appear in pictures, and gastronomic objects, which have intertwined with nature since ancient times, have been frequently used in paintings. Simultaneously, artists have become masters of conveying these gastronomic objects, which they use in their paintings, by giving a message in symbols and allegories. Our study aimed to determine the gastronomic objects in Renaissance painting art and to investigate the philosophical meanings of the symbols and their current reflections by examining them, especially in the context of symbolism. The Renaissance paintings were scanned with the document analysis method, and examples containing gastronomic objects were evaluated in a symbolic and allegorical framework with the semiotics method. Our findings indicate that 17 early and high Renaissance painters used 61 gastronomic objects in their paintings, and three Flemish school painters used gastronomic objects in 35 of the collections. Giuseppe Arcimboldo a notable artist of the era shockingly used gastronomic objects and has the mastery of allegory. The painting “Vertumnus“ turns into the magnificence of the Roman empire, and “The Gardener/Vegetables in a Bowl” becomes an allegorical interpretation of the concept of food and fertility represented by God Priapus from two different perspectives. Overall, it has been determined that Renaissance painters used vegetables like artichokes, which look much more aesthetic with their leaves, or lemon, which creates an exotic atmosphere, instead of foods like chicken and eggs, which were the most consumed at that time.